Marty Wilde ‎– Diversions VG+/VG

Marty Wilde’s Diversions (1969) is a fascinating and often overlooked album that marked a bold departure from his early rock ’n’ roll roots, embracing the psychedelic pop and baroque influences of the late 1960s.

Released on Philips Records in March 1969, Diversions came at a time when Wilde—one of Britain’s original rock ’n’ roll stars of the 1950s—was reinventing himself for a new musical era. After a period of relative quiet in the mid-1960s, he returned with this ambitious record, co-writing most of the material with Ronnie Scott (not the jazz musician, but a frequent collaborator). The album blends pop rock, baroque pop, and psychedelic flourishes, reflecting the experimental spirit of the time.

The tracklist includes Wilde originals alongside songs written by Frere Manston and Geoff Gellar, who were also behind hits for other artists. Standout tracks include “Abergavenny,” which became a hit single and remains one of Wilde’s best-known songs from this era, and “Jesamine,” previously a hit for The Casuals. Other highlights such as “The World Stood Up,” “Juan the Mexican Boy,” and “Zobo (1871–1892)” showcase Wilde’s willingness to explore unusual themes and arrangements, moving far beyond the straightforward rock ’n’ roll of his youth.

Musically, the album is notable for its lush orchestrations and inventive production. Arrangers like Cy Payne, Johnny Arthey, and Peter Knight contributed to the record, giving it a polished yet adventurous sound. Tracks such as “Alice in Blue” and “Look in My Eyes” lean into baroque pop sophistication, while “Ice in the Sun” and “Learning to Love” carry a more psychedelic edge.

Though Diversions did not achieve major commercial success at the time, it has since been recognized by collectors and critics as a lost gem of British popsike. Its rarity—original pressings are highly sought after—has added to its cult reputation. In 2018, the album was reissued on CD under the title Abergavenny: The Philips Pop Years, bringing renewed attention to Wilde’s adventurous late-1960s work.

In essence, Diversions captures Marty Wilde at a creative crossroads: no longer the teen idol of the 1950s, but a mature artist experimenting with the sounds and ideas of the psychedelic era.